If you loved Yo vi al diablo, try Jezabel: Las dos caras del terror
Un puente entre una película que ya has visto y una que casi nadie ha cruzado. Esto es lo que comparten, y lo que la segunda hace que la primera no hace.
Lo que comparten
Both films are directed by Kevin Greutert, and they both carry the dread mood tag, and they sit in Horror territory. If that's the register that drew you to Yo vi al diablo, the second film will land in a comparable space — through a different lens.
dread
What Jezabel: Las dos caras del terror is
Bayou country. Late summer. A screech owl. Confined to a wheelchair after the crash, Jessabelle retreats to her childhood home, where spectral visions and her mother's old tapes hint at a dark family secret. Greutert gives Southern Gothic a modern digital sheen.
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