If you loved Bajo la arena, try Mi Crimen
Un puente entre una película que ya has visto y una que casi nadie ha cruzado. Esto es lo que comparten, y lo que la segunda hace que la primera no hace.
Lo que comparten
Both films are directed by François Ozon, and they both carry the bittersweet mood tag, and they sit in Drama / Mystery territory. If that's the register that drew you to Bajo la arena, the second film will land in a comparable space — through a different lens.
bittersweet
What Mi Crimen is
Paris, 1933. A squeak of rouge on silk. A struggling actress stands accused of killing a notorious stage impresario. Her lawyer argues self-defense. Acquittal brings champagne, roses, and a sudden avalanche of fame, until the real killer emerges. Ozon, working a screwball vein.
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