If you loved El maestro de marionetas, try Ciudad doliente
Un puente entre una película que ya has visto y una que casi nadie ha cruzado. Esto es lo que comparten, y lo que la segunda hace que la primera no hace.
Lo que comparten
Both films are directed by Hou Hsiao-hsien, and they both carry the slow burn mood tag, and they sit in Drama / History territory. If that's the register that drew you to El maestro de marionetas, the second film will land in a comparable space — through a different lens.
slow burn
What Ciudad doliente is
Taiwan’s White Terror meets a family saga. A clan fractures under KMT pressure between 1947 and 1987. The era’s quiet violence lingers through Hou’s layered long takes.
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