If you loved La novia vestía de negro, try Vivamente el domingo
Un puente entre una película que ya has visto y una que casi nadie ha cruzado. Esto es lo que comparten, y lo que la segunda hace que la primera no hace.
Lo que comparten
Both films are directed by François Truffaut, and they sit in Crime / Mystery territory. If that's the register that drew you to La novia vestía de negro, the second film will land in a comparable space — through a different lens.
What Vivamente el domingo is
Tolled by a Paris church bell at noon in summer. A worried secretary types up a final report while a real estate agent’s briefcase lies abandoned on a café table. She notices the wrong name on the contract, trails a red scarf through backstreets. A shadow-lengthening screwball chase through 1983 Truffaut territory.
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