If you loved Compasión por el diablo, try Los secretos que guardamos
Un puente entre una película que ya has visto y una que casi nadie ha cruzado. Esto es lo que comparten, y lo que la segunda hace que la primera no hace.
Lo que comparten
Both films are directed by Yuval Adler, and they both carry the paranoid mood tag, and they sit in Thriller territory. If that's the register that drew you to Compasión por el diablo, the second film will land in a comparable space — through a different lens.
paranoid
What Los secretos que guardamos is
America, 1952. A quiet cul-de-sac. Flowers pressed between a wedding photo and a knife. A woman drags a stranger into her garage at noon. Her husband thinks she's gardening. Her neighbor hums in the next yard. Watching a second-wave domestic thriller through a Hitchcock filter.

