If you loved El policía y Yo, try La Chica Lobo y el Príncipe Negro
Un puente entre una película que ya has visto y una que casi nadie ha cruzado. Esto es lo que comparten, y lo que la segunda hace que la primera no hace.
Lo que comparten
Both films are directed by Ryuichi Hiroki, and they both carry the bittersweet, tender mood tags. If that's the register that drew you to El policía y Yo, the second film will land in a comparable space — through a different lens.
What La Chica Lobo y el Príncipe Negro is
A high schooler’s fib about a nonexistent boyfriend spirals into an awkward pact with the very boy she snapped photos of—his picture-perfect face belying a moodier-than-expected demeanor. Erika and Kyouya agree to play house, trading blushes and barbed one-liners as their act threatens to outgrow the script they never co-wrote. Kyouya’s brooding aura proves less mysterious and more just… awkward, like a vampire who forgot to bring snacks to the party.
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