If you loved Masaan 2015, try El viento nos llevará
Un puente entre una película que ya has visto y una que casi nadie ha cruzado. Esto es lo que comparten, y lo que la segunda hace que la primera no hace.
Lo que comparten
Theyboth carry the bittersweet, outsider mood tags, and they sit in Drama territory. If that's the register that drew you to Masaan 2015, the second film will land in a comparable space — through a different lens.
bittersweetoutsider
What El viento nos llevará is
Waiting for Godot without God. A film crew arrives in a remote Iranian village to document a traditional mourning ritual, but their real agenda remains unclear. Kiarostami’s quiet film considers the clash between modernity and timelessness.

