If you loved Good-for-Nothing, try Río Negro

Un puente entre una película que ya has visto y una que casi nadie ha cruzado. Esto es lo que comparten, y lo que la segunda hace que la primera no hace.

Ya te gustó

Good-for-Nothing

1960 · dir. Yoshishige Yoshida

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Theyboth carry the bittersweet, outsider mood tags, and they sit in Crime / Drama territory. If that's the register that drew you to Good-for-Nothing, the second film will land in a comparable space — through a different lens.

bittersweetoutsider

What Río Negro is

You live in a riverside town where kindness is currency and cruelty walks free. Then a visiting student arrives with his idealistic girlfriend and an uninvited guest whose grin hides a switchblade. Masaki Kobayashi’s 1957 Kaneto Shindō script pinches postwar Japan’s slack law like a vise left to rust. The film walks away with nothing resolved.

If you loved Good-for-Nothing, try Río Negro

Good-for-Nothing

Río Negro

Lo que comparten

What Río Negro is

Ask for a deeper bridge

If you loved Good-for-Nothing, try Río Negro

Good-for-Nothing

Río Negro

Lo que comparten

What Río Negro is

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