If you loved Frenesí, try Mi pecado me condena
Un puente entre una película que ya has visto y una que casi nadie ha cruzado. Esto es lo que comparten, y lo que la segunda hace que la primera no hace.
Lo que comparten
Both films are directed by Alfred Hitchcock, and they both carry the paranoid mood tag, and they sit in Crime / Thriller territory. If that's the register that drew you to Frenesí, the second film will land in a comparable space — through a different lens.
paranoid
What Mi pecado me condena is
Quebec City’s midnight bells, a wet cassock hem dragging through the street. A priest listens to the same killer’s third confession while raindrops echo in bronze fonts. Hitchcock’s black carapace of guilt parks right outside the courtroom door.
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