If you loved Flores de Shanghai, try El maestro de marionetas
Un puente entre una película que ya has visto y una que casi nadie ha cruzado. Esto es lo que comparten, y lo que la segunda hace que la primera no hace.
Lo que comparten
Both films are directed by Hou Hsiao-hsien, and they both carry the slow burn, tender mood tags, and they sit in Drama territory. If that's the register that drew you to Flores de Shanghai, the second film will land in a comparable space — through a different lens.
slow burntender
What El maestro de marionetas is
You’re Li Tien-lu in 1940s Taipei, threading marionettes across a cramped stage while Japanese censors lurk in the back row. The poles move faster than the laws can keep up. A veteran director once shot in black and white on gelatin-silver streets that still smell of wet ink and gunpowder.
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