Scandinavian noir beyond the Stieg Larsson franchises
The dread-soaked Nordic landscape that became its own genre. Cold, slow, formally precise. Refn before Hollywood, late Vinterberg, Ulrich Seidl across the border, the Romanian-school cousins.
The Seventh Seal
foreign gemcerebraldread
Persona
foreign gemcerebralmindfuck
Wild Strawberries
foreign gembittersweetslow burn
Scenes from a Marriage
foreign gembittersweetslow burn
The Hunt
foreign gemdreadgut punch
Day of Wrath
foreign gemdreadslow burn
Autumn Sonata
foreign gembittersweetgut punch
Ordet
foreign gembittersweetcerebral
Cries and Whispers
foreign gembittersweetgut punch
Winter Light
foreign gemcerebralgut punch
Let Go
foreign gembittersweettender
The Shadow in My Eye
foreign gemgut punchslow burn
Land of Mine
foreign gemdreadslow burn
Fanny and Alexander
foreign gembittersweetepic
The Virgin Spring
foreign gemdreadgut punch
The Phantom Carriage
foreign gembittersweetdread
Through a Glass Darkly
foreign gemcerebraldread
The Kingdom
foreign gemdreadsurreal
The Sacrifice
foreign gemcerebraldread
The Promised Land
foreign gemrawslow burn
Another Round
foreign gembittersweettender
Lilya 4-ever
foreign gemdreadgut punch
A Man Called Ove
foreign gembittersweettender
Let the Right One In
foreign gembittersweetslow burn
The New Land
foreign gembittersweetoutsider
The Girl with the Dragon Tattoo
foreign gemdreadparanoid
Shame
foreign gemdreadslow burn
Oslo, August 31st
foreign gemgut punchraw
The Passion of Anna
foreign gemcerebralgut punch
The Silence
foreign gembittersweetdread
Otras colecciones canon
Japanese New Wave — the essentials
80s horror everyone has forgotten
Giallo — Italy's blood-red mystery genre
Korean cinema essentials beyond Parasite
Post-Soviet cinema — Russia & Eastern Europe after 1991
The Romanian New Wave
Essential anime that isn't Studio Ghibli
Slow cinema — the long-take canon
70s American paranoia — the post-Watergate canon
First features by directors who later mattered
Documentaries that hold up as cinema
Iranian new wave — Kiarostami, Farhadi, and the rest
Argentine cinema — beyond Wild Tales
British kitchen-sink and what it became
First features directed by cinematographers
German New Wave — Fassbinder, Herzog, Wenders, Schlöndorff
Hong Kong action — Woo, Lam, Tsui, To
Spaghetti westerns — Leone, Corbucci, Sollima, and the second tier
Mumblecore — the American indie movement nobody named
Czech New Wave — Forman, Chytilová, Menzel, before they fled
French New Wave — Godard, Truffaut, Varda, Rivette, Rohmer
Blaxploitation — Shaft, Pam Grier, and the 70s Black cinema boom
Dogme 95 — von Trier, Vinterberg, and the vow of chastity
Australian New Wave — Weir, Miller, Armstrong, Campion
African cinema — Sembène, Sissako, Mambéty, and beyond
Italian neorealism — the rubble and the real
Commedia all'italiana — Italy laughing at itself
German expressionism — shadows, angles, madness
Taiwanese New Cinema — Hou, Yang, Tsai, and the island's quiet revolution
New Queer Cinema — Haynes, Araki, Van Sant, and the 90s insurgency
Wuxia and martial arts — flying swords, hidden masters