If you loved An die Freude, try Hafenstadt
Eine Brücke zwischen einem Film, den du schon gesehen hast, und einem, den kaum jemand kennt. Das teilen sie, und was der zweite macht, was der erste nicht macht.
Was sie teilen
Both films are directed by Ingmar Bergman, and they both carry the tender mood tag, and they sit in Drama / Romance territory. If that's the register that drew you to An die Freude, the second film will land in a comparable space — through a different lens.
tender
What Hafenstadt is
Bergman does his neorealist phase. Berit leaves the women's home and starts a romance with Gösta, a sailor, but she struggles with her bad reputation and worse family. The director got to check "social problem film" off his to-do list.
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