If you loved The Mole Song: Undercover Agent Reiji, try Dead or Alive
Eine Brücke zwischen einem Film, den du schon gesehen hast, und einem, den kaum jemand kennt. Das teilen sie, und was der zweite macht, was der erste nicht macht.
Was sie teilen
Both films are directed by Takashi Miike, and they both carry the unhinged mood tag, and they sit in Action / Crime territory. If that's the register that drew you to The Mole Song: Undercover Agent Reiji, the second film will land in a comparable space — through a different lens.
What Dead or Alive is
Shinjuku neon rain slicks the blacktop. A Triad lieutenant counts cash under a blinking crane claw. A cop’s badge glints in the same glow, tracking the same wet streets. Three bullets, one night—gangland shake-up in neon haze. Dawn cracks over empty vending machines. Miike’s yakuza ballet still hauls 1999’s cramped, crackling chaos without apology.

