If you loved Die Kampfmaschine, try Rattennest
Eine Brücke zwischen einem Film, den du schon gesehen hast, und einem, den kaum jemand kennt. Das teilen sie, und was der zweite macht, was der erste nicht macht.
Was sie teilen
Both films are directed by Robert Aldrich, and they sit in Crime territory. If that's the register that drew you to Die Kampfmaschine, the second film will land in a comparable space — through a different lens.
What Rattennest is
Night. A lonely road. Headlights. Mike Hammer picks up a terrified woman fleeing an asylum, then wakes to find her dead and himself a target. He hunts her killers, suspecting they sought something of immense value. Aldrich’s bleak vision of noir makes cynicism an art.
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