If you loved Die Lady von Shanghai, try Der Fremde
Eine Brücke zwischen einem Film, den du schon gesehen hast, und einem, den kaum jemand kennt. Das teilen sie, und was der zweite macht, was der erste nicht macht.
Was sie teilen
Both films are directed by Orson Welles, and they both carry the paranoid, slow burn mood tags, and they sit in Crime / Thriller territory. If that's the register that drew you to Die Lady von Shanghai, the second film will land in a comparable space — through a different lens.
paranoidslow burn
What Der Fremde is
Autumn in a New England college town, a pocket watch stops at 3:17. A man in a hat buys milk at dawn; another counts cracks in the sidewalk, lips moving silently. Classic noir paranoia, if noir wore tweed and quoted the Constitution over breakfast.

