If you loved Marvel One-Shot: Objekt 47, try Marvel One-Shot: Agent Carter
Eine Brücke zwischen einem Film, den du schon gesehen hast, und einem, den kaum jemand kennt. Das teilen sie, und was der zweite macht, was der erste nicht macht.
Marvel One-Shot: Objekt 47
Marvel One-Shot: Agent Carter
Was sie teilen
Both films are directed by Louis D'Esposito, and they both carry the playful mood tag, and they sit in Action / Science Fiction territory. If that's the register that drew you to Marvel One-Shot: Objekt 47, the second film will land in a comparable space — through a different lens.
What Marvel One-Shot: Agent Carter is
You’re Peggy Carter in 1946, alone in a basement office assigned to baby-sit useless artifacts. A stray Zodiac case lands on your desk at midnight and the only backup is a butler with a Tommy gun and then the building goes dark but lights stay on somewhere else. Louis D’Esposito stages the action through period lenses that cut dialogue like gunfire.
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