If you loved Harlem, N.Y.C., try Jenseits der weißen Linie
Eine Brücke zwischen einem Film, den du schon gesehen hast, und einem, den kaum jemand kennt. Das teilen sie, und was der zweite macht, was der erste nicht macht.
Was sie teilen
Both films are directed by Bill Duke, and they both carry the raw mood tag, and they sit in Crime territory. If that's the register that drew you to Harlem, N.Y.C., the second film will land in a comparable space — through a different lens.
raw
What Jenseits der weißen Linie is
A L.A. alley at midnight, rain bouncing off a cracked payphone. Russell Stevens slides a badge into his sock as he takes delivery of a kilo, his rookie act flawless. Bill Duke’s hard-edged crime thriller where the deeper the cover, the thinner the skin grows.

