If you loved Hokusai, try Tokyo 1958
Eine Brücke zwischen einem Film, den du schon gesehen hast, und einem, den kaum jemand kennt. Das teilen sie, und was der zweite macht, was der erste nicht macht.
Was sie teilen
Both films are directed by Hiroshi Teshigahara, and they sit in Documentary territory. If that's the register that drew you to Hokusai, the second film will land in a comparable space — through a different lens.
What Tokyo 1958 is
*Man with a Movie Camera* without Vertov. Nine directors document everyday life in the world's largest city. The postwar boom is palpable, as is the avant-garde zest to document it.
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