If you loved Animated Self-Portraits, try Cleo und die tollen Römer

Eine Brücke zwischen einem Film, den du schon gesehen hast, und einem, den kaum jemand kennt. Das teilen sie, und was der zweite macht, was der erste nicht macht.

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Animated Self-Portraits

1989 · dir. Osamu Tezuka, Kihachiro Kawamoto, Bill Plympton, Jan Švankmajer, David Ehrlich, Pavel Koutský, Jiří Barta, Candy Kugel, Priit Pärn, Borivoj Dovniković 'Bordo', Hardi Volmer, Maureen Selwood, Dušan Vukotić, Mati Kütt, Joško Marušić, Nikola Majdak, Sally Cruikshank, Riho Unt, Renzo Kinoshita

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Cleo und die tollen Römer

1970 · dir. Eiichi Yamamoto, Osamu Tezuka

Was sie teilen

Both films are directed by Osamu Tezuka, and they both carry the playful mood tag, and they sit in Animation territory. If that's the register that drew you to Animated Self-Portraits, the second film will land in a comparable space — through a different lens.

playful

What Cleo und die tollen Römer is

Osamu Tezuka goes full-on salacious with this one. Three time-travelers mentally project themselves into ancient Egypt to hang with Cleopatra and her Roman boyfriends. Their mission is to uncover a dastardly plot, though you might be too distracted to notice.

If you loved Animated Self-Portraits, try Cleo und die tollen Römer

Animated Self-Portraits

Cleo und die tollen Römer

Was sie teilen

What Cleo und die tollen Römer is

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