If you loved Things to Come, try Renaissance
A bridge between a film you've already seen and one most people haven't. Here's what they share, and what the second one does that the first one doesn't.
What they share
Theyboth carry the cerebral, slow burn mood tags, and they sit in Science Fiction territory. If that's the register that drew you to Things to Come, the second film will land in a comparable space — through a different lens.
cerebralslow burn
What Renaissance is
You follow one man through neon corridors of tomorrow where a missing dancer’s face is the last currency. The city’s black-market labs trade in altered flesh and state secrets. The hunt flips when the target becomes the weapon. Volckman’s rotoscoped dystopia stays stylishly detached, an aesthetic debt breathed into every servo.

