If you loved Prossima fermata: l'inferno, try No One Lives
Un ponte tra un film che hai già visto e uno che quasi nessuno ha incrociato. Questo è ciò che condividono, e ciò che il secondo fa che il primo non fa.
Cosa condividono
Both films are directed by Ryuhei Kitamura, and they both carry the dread, late night mood tags, and they sit in Horror territory. If that's the register that drew you to Prossima fermata: l'inferno, the second film will land in a comparable space — through a different lens.
dreadlate night
What No One Lives is
Louisiana backroads. Autumn dusk. A glinting lug wrench. A young couple, road-tripping, make a fateful stop. A band of backwoods sadists abduct them, only to find their new captives are far more than they bargained for. Kitamura's hyper-kinetic splatter film plays as a Grand Guignol riff on eye-for-an-eye revenge.
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