If you loved The Girl Who Knew Too Much, try Black Sunday
A bridge between a film you've already seen and one most people haven't. Here's what they share, and what the second one does that the first one doesn't.
What they share
Both films are directed by Mario Bava, and they sit in Horror territory. If that's the register that drew you to The Girl Who Knew Too Much, the second film will land in a comparable space — through a different lens.
What Black Sunday is
Moldavia. Autumn. Howling wind. A convicted sorceress put to death, her face hammered with a spiked mask. Centuries pass before a pair of travelers disturb her resting place, unleashing a thirst for vengeance on the land and a doppelgänger descendant. Bava at his most ghoulishly gothic.
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