If you loved Nazarín, try Él

A bridge between a film you've already seen and one most people haven't. Here's what they share, and what the second one does that the first one doesn't.

What they share

Both films are directed by Luis Buñuel, and they both carry the foreign gem mood tag, and they sit in Drama territory. If that's the register that drew you to Nazarín, the second film will land in a comparable space — through a different lens.

foreign gem

What Él is

A church, midday. Perfume. Francisco's eyes lock, possess. Marriage follows, then suspicion, festering in plain sight. Delusion curdles into baroque control. One of Buñuel's darkest, most perverse bourgeois portraits.

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