If you loved Nashville, try The Long Goodbye

A bridge between a film you've already seen and one most people haven't. Here's what they share, and what the second one does that the first one doesn't.

What they share

Both films are directed by Robert Altman, and they both carry the cult, devastating, slow burn mood tags, and they sit in Drama territory. If that's the register that drew you to Nashville, the second film will land in a comparable space — through a different lens.

cultdevastatingslow burn

What The Long Goodbye is

Rainy Los Angeles streets at dusk a lonely saxophone plays. A friend's desperate plea and a missing wife. Altman's 70s noir deconstructs genre conventions.

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