If you loved Gertrud, try Jour de colère
Un pont entre un film que tu as déjà vu et un que peu de gens ont croisé. Voici ce qu'ils partagent, et ce que le second fait que le premier ne fait pas.
Ce qu'ils partagent
Both films are directed by Carl Theodor Dreyer, and they both carry the foreign gem, slow burn mood tags, and they sit in Drama territory. If that's the register that drew you to Gertrud, the second film will land in a comparable space — through a different lens.
foreign gemslow burn
What Jour de colère is
The Salem witch trials meet *Breaking the Waves*. A pastor’s wife in 1620s Denmark shelters a witch-hunted woman until village pressure turns her husband’s mercy into complicity. Her own spectral inheritance becomes inescapable. The cold Danish wind carries the whole thing.

