If you loved Death Becomes Her, try Roald Dahl's The Witches
A bridge between a film you've already seen and one most people haven't. Here's what they share, and what the second one does that the first one doesn't.
What they share
Both films are directed by Robert Zemeckis, and they both carry the pitch black, playful mood tags, and they sit in Comedy / Fantasy / Horror territory. If that's the register that drew you to Death Becomes Her, the second film will land in a comparable space — through a different lens.
pitch blackplayful
What Roald Dahl's The Witches is
Rural Alabama autumn, porch creaking, a suitcase. Boy and grandmother flee to a seaside resort, pursued by glamorous witches. Robert Zemeckis brings dark fantasy to family comedy.

