If you loved Antonio Gaudí, try La trampa (The Pitfall)
Un puente entre una película que ya has visto y una que casi nadie ha cruzado. Esto es lo que comparten, y lo que la segunda hace que la primera no hace.
Lo que comparten
Both films are directed by Hiroshi Teshigahara, and they both carry the slow burn mood tag. If that's the register that drew you to Antonio Gaudí, the second film will land in a comparable space — through a different lens.
slow burn
What La trampa (The Pitfall) is
Dusty mines, midday. A plume of cigarette smoke. Father and son arrive at a spectral village, seeking a new life. Instead, a brutal encounter binds the pair to this purgatory, where identities blur and memories fail. Teshigahara's debut feature chills.
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