If you loved Anna, try Subway
A bridge between a film you've already seen and one most people haven't. Subway has roughly 5.9× fewer votes than Anna — it's a deeper cut, not a mainstream recommendation. Here's what they share, and what the second one does that the first one doesn't.
What they share
Both films are directed by Luc Besson, and they sit in Action / Thriller territory. If that's the register that drew you to Anna, the second film will land in a comparable space — through a different lens.
What Subway is
The Paris Metro’s neon coughing at 2 AM, a single sardine can rolling under a bench. Fred ducks through service corridors, boot heels loud on steel, bullets from suit pockets ricocheting off tile. Between third-rail hum and announcements in seven languages he stumbles past a tribe of tunnel rats selling metro tokens and false identities, all watching the exits like they know the next train’s already too late. Besson’s second feature rides the arterial pulse of a city dream where every shadow owes rent.
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